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Vimuksha Advertisements Emerges as a Trusted Name in Custom Canvas, Jute and Non-Woven Bag Manufacturing

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NEW DELHI — As more Indian businesses look to replace single-use plastic in their promotional and gifting strategies, a Delhi-based manufacturer is positioning itself at the center of that shift. Vimuksha Advertisements, headquartered in the Yusuf Sarai area of New Delhi near Green Park Metro Station, has built its business around producing customized canvas bags, jute bags, non-woven bags, tote bags and backpacks for corporate branding, events and retail promotions across India.

The company describes itself as a manufacturer of promotional canvas and jute bags that combine sustainability with brand visibility, offering businesses an alternative to disposable plastic carry bags that can double as a walking advertisement long after an event or purchase is over. Its positioning leans heavily on three pillars repeated across its marketing materials: eco-friendliness, durability and custom branding — a combination increasingly in demand as Indian states tighten restrictions on single-use plastic and corporations look for greener options in their promotional budgets.

A Product Range Built Around Reusable, Brandable Bags

Vimuksha Advertisements’ core catalog spans five categories: canvas bags, non-woven bags, jute bags, tote bags and backpacks. Canvas bags, made from a heavier woven cotton fabric, are marketed by the company as its premium offering — described in its own materials as made with “high grade canvas material” suited for long-term reuse rather than one-time promotional giveaways. Jute bags lean further into the sustainability angle, using a natural, biodegradable fiber that has become a common substitute for plastic carry bags in Indian retail and gifting. Non-woven bags and tote bags round out the range as lighter-weight, more budget-friendly options often chosen for large-volume event giveaways, while backpacks extend the company’s offering into a category more commonly associated with corporate gifting and conference merchandise.

This kind of category spread is a common strategy among promotional-merchandise manufacturers: a canvas or jute bag positioned as a premium, higher-margin product sits alongside more economical non-woven and tote options, letting a single manufacturer serve both a corporate client ordering premium gift bags for a leadership offsite and a retail brand ordering thousands of low-cost carry bags for a store launch.

Customization as the Core Sales Pitch

Where Vimuksha Advertisements appears to differentiate itself most is in the breadth of customization it offers. The company lists five distinct printing and branding methods available to clients: screen printing, offset printing, DTF (direct-to-film) printing, heat transfer printing, and private labeling. Offering this range in-house, rather than outsourcing specialty print methods to a third party, is notable in a category where many smaller manufacturers limit themselves to one or two printing techniques.

Each method suits a different kind of order. Screen printing remains the industry standard for bulk orders with simple, one- or two-color logos, prized for its durability on fabric. Offset printing typically supports more detailed, multi-color designs. DTF printing, a newer technique in the Indian promotional-products space, allows for complex, photographic-quality graphics to be transferred onto fabric without the setup costs traditionally associated with multi-color screen printing. Heat transfer printing offers a fast turnaround for smaller or rush orders, while private labeling lets brands apply their own tags, care labels or packaging identity to bags manufactured by Vimuksha — a service more commonly sought by retail and fashion clients building their own bag or accessory line rather than a one-off promotional order.

Positioning Around Sustainability and Corporate Budgets

Vimuksha Advertisements frames its products as serving two business needs simultaneously: environmental responsibility and marketing return on investment. Its promotional materials describe reusable bags as a way to put “your brand in the hands of thousands” at a lower cost than many other forms of advertising, while also appealing to corporate sustainability commitments that have become increasingly common in Indian companies’ vendor and procurement policies over the past several years.

Industry observers who track the promotional-products sector note that this dual pitch — sustainability plus cost-effective visibility — has become the standard sales narrative for reusable-bag manufacturers nationally, as more corporate procurement teams specifically request eco-friendly giveaway options for conferences, product launches and client gifting rather than the plastic-heavy promotional swag common a decade ago.

A Seven-Step Manufacturing Process

The company outlines a structured production workflow on its website: requirement discussion, design and artwork approval, material selection, printing, stitching and quality inspection, packaging, and nationwide delivery. Laying out this process publicly is a common trust-building device among B2B manufacturers, particularly those working with corporate clients who may be ordering in bulk for a fixed event date and want assurance that a vendor has a repeatable, quality-controlled system rather than an ad hoc production line.

The company has not published specific production capacity figures, typical turnaround times, or minimum order quantities in the materials reviewed, information that prospective corporate buyers comparing vendors would typically want to confirm directly before placing a large order.

Client Testimonials and What They Do — and Don’t — Confirm

Vimuksha Advertisements’ website features a series of five-star customer reviews from individuals identified by name and role, including corporate clients, marketing managers and event coordinators, praising the quality of printing, finishing and on-time delivery. As with testimonials on most company websites, these are self-published by the business rather than independently verified by a third-party review platform, so they should be read as representative customer feedback the company has chosen to showcase rather than an independently audited satisfaction rating.

Delhi Roots, Nationwide Ambitions

Vimuksha Advertisements operates from an office in Yusuf Sarai, South Delhi, near the Green Park Metro Station — a location that places it within one of Delhi’s established commercial and trading hubs. While headquartered in the capital, the company markets nationwide delivery as part of its core service offering, positioning itself to serve corporate clients, event organizers and retail brands beyond the National Capital Region rather than operating purely as a local supplier.

That combination — a Delhi manufacturing and design base paired with pan-India delivery claims — is a common structure among India’s promotional-merchandise manufacturers, many of which cluster around Delhi-NCR’s garment and printing ecosystem while serving a client base spread across the country’s larger metro markets.

Where the Company Fits in a Growing Category

India’s reusable-bag and promotional-merchandise manufacturing sector has expanded alongside stricter state-level plastic bans and rising corporate demand for sustainable branded merchandise, creating room for manufacturers like Vimuksha Advertisements to compete on the combination of eco-friendly materials, in-house customization breadth and dependable delivery timelines. Whether the company’s specific claims around pricing, delivery speed and production scale hold up against competitors is something prospective clients would need to evaluate directly, as with any B2B vendor comparison — but the range of bag categories and printing methods it offers under one roof reflects a broader industry shift toward manufacturers who can serve a client’s full promotional-bag needs rather than a single product type.

Frequently Asked Questions

What types of bags does Vimuksha Advertisements manufacture?

The company’s core range includes canvas bags, jute bags, non-woven bags, tote bags and backpacks, aimed primarily at corporate branding, promotional events and bulk gifting.

What printing and branding options are available?

Vimuksha Advertisements offers screen printing, offset printing, DTF printing, heat transfer printing and private labeling, according to company materials.

Does Vimuksha Advertisements deliver outside Delhi?

The company markets nationwide delivery as part of its service, though it has not published specific delivery timelines or regional coverage details.

Is Vimuksha Advertisements suited for bulk corporate orders?

The company markets itself toward corporate events, trade shows, promotions and bulk gifting, and outlines a structured production process intended to support larger orders, though it has not published minimum order quantities.

Where is Vimuksha Advertisements based?

The company is based in Yusuf Sarai, New Delhi, near the Green Park Metro Station.

Website- vimukshaadvertisements.com

Address- 4th Floor, 400A, 12, Ajit Singh House, Exit-2, near Green Park Metro Station, Yusuf Sarai, New Delhi, Delhi 110016

Phone- +91 8595352866

Email- vimukshaadvertisements@gmail.com

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The Chew Is Changing: How FIVE Wellness Is Building a New Category Around Functional Gum

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What if the next generation of wellness products didn’t come in a bottle, capsule or powder—but in a piece of chewing gum?

For generations, chewing gum has been one of the simplest products people carry. It fits into a pocket, requires no preparation and has become part of everyday routines—from after meals and during travel to work, study and social occasions.

Traditionally, however, the category has largely been associated with flavour and freshness.

FIVE Wellness is looking at the format differently.

Founded by Rhythm Sehgal, Vipul Kohli and Prateek Mehra, FIVE Wellness is developing functional chewing gums designed around different everyday moments, bringing together convenience, portability and functionality in a familiar format.

The idea is straightforward: take something people already understand and create more possibilities around it.

Rethinking the Everyday Chew

Today’s consumers increasingly value products that fit naturally into busy routines.

Bottles, powders, capsules and prepared drinks all have their place, but they can also require additional space, preparation or planning.

Chewing gum offers something different.

It is compact, portable and familiar.

For FIVE Wellness, these characteristics form the foundation of its approach to functional products.

The brand’s range currently includes HYDR, POWR and FRSHR, each built around a different proposition.

HYDR: A New Format for Electrolytes

Electrolyte products have traditionally been associated with drinks, powders and other prepared formats.

HYDR explores another possibility: delivering electrolytes through chewing gum.

The focus is on convenience and portability. There is no bottle to carry, powder to mix or shaker to clean.

Whether it is placed in a gym bag, travel pouch, backpack or desk drawer, HYDR is designed around a simple idea: functionality in a format that can go almost anywhere.

POWR: Energy, Reimagined

Energy products are another familiar part of modern consumer culture.

FIVE Wellness’ POWR takes a different approach to the format, combining caffeine, L-theanine and taurine in chewing gum.

Instead of another can or bottle, POWR puts its proposition into something considerably smaller.

The concept is deliberately uncomplicated:

No can. No bottle. No preparation. Just a chew.

FRSHR: Freshness, Reimagined

With FRSHR, FIVE Wellness returns to one of chewing gum’s most familiar associations: freshness.

Designed around an everyday fresh-mouth experience, FRSHR builds on a behaviour consumers already know.

After a meal. During travel. Between meetings. Whenever a fresh-mouth experience fits the moment.

There is no new ritual to learn.

Open. Chew. Move on.

More Than Gum

The bigger idea behind FIVE Wellness isn’t simply chewing gum.

It is format innovation.

The brand is exploring chewing gum as a platform for functional products, with different formulations designed around different everyday occasions.

HYDR. POWR. FRSHR.

Different propositions. One familiar format.

That approach also reflects a broader shift in how consumers think about wellness. Products are increasingly expected to be convenient, portable and easy to integrate into everyday life.

FIVE Wellness is building around that expectation.

A Pocket-Sized Vision

The brand’s ambition isn’t to complicate wellness. It is to make functional products easier to carry and easier to incorporate into real life.

That philosophy extends to its identity as well. FIVE Wellness aims to occupy the space where wellness meets convenience, design and contemporary culture.

The next evolution of functional products may not necessarily mean bigger bottles, larger tubs or more complicated routines.

It could mean something much smaller.

Something familiar.

Something that fits in your pocket.

Sometimes, the future of functional wellness might simply be a chew.

About FIVE Wellness

FIVE Wellness is an Indian functional chewing gum brand founded by Rhythm Sehgal, Vipul Kohli and Prateek Mehra. Its current range includes HYDR, POWR and FRSHR, bringing different functional propositions into a convenient chewing-gum format.

Website: www.myfivewellness.com

Instagram: @myfivewellness

Email:contact@myfivewellness.com

Chew@myfivewellness

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“One Day You’ll Be a Big Name”: Chunky Panday’s Heartfelt Praise Becomes Veeir Chaudary’s Biggest Moment of the Award Night

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New Delhi: It was an evening filled with glamour, appreciation and memorable moments for actor and producer Veeir Chaudary, who recently attended a prestigious award ceremony and received an award from Bollywood actor Chunky Panday. However, what made the evening particularly special was not just the award, but the words of encouragement Veeir received from the veteran actor.

During the event, Chunky Panday appreciated Veeir Chaudary for his work and encouraged him to continue working with the same dedication. While praising his journey, Chunky told him, “You’re doing good work. One day you’ll make a very big name.” For Veeir, hearing these words from an established Bollywood personality became one of the most memorable moments of the evening.

Veeir, who has been associated with films, web series and music projects, was visibly happy with the appreciation. He described his interaction with Chunky Panday as a wonderful experience and said that the actor came across as extremely cheerful, friendly and warm-hearted.

The award ceremony also witnessed several fan moments involving Veeir Chaudary. Throughout the evening, a number of fans approached him to click photographs. The excitement among the audience and the requests for pictures added another special dimension to the event.

Interestingly, one light-hearted incident at the venue also grabbed attention. When Veeir Chaudary entered the venue accompanied by his security guards, some people initially mistook his arrival for that of Chunky Panday. As soon as they saw Veeir walking in with his guards, several people stood up, thinking that the Bollywood star had arrived. The amusing misunderstanding created a fun moment and became one of the memorable incidents of the evening.

For Veeir, the combination of receiving an award, meeting fans and getting personal appreciation from Chunky Panday made the night particularly meaningful. The encouragement from Chunky was especially significant as Veeir continues to build his career as an actor and producer while developing new projects in entertainment.

Veeir also expressed his gratitude towards the organisers for recognising his work and giving him the opportunity to be part of the celebration. He believes that appreciation from audiences and industry personalities motivates artists to work harder and explore new creative opportunities.

The evening reflected the growing attention around Veeir Chaudary, with fans not only recognising him but also showing enthusiasm to meet and interact with him. The combination of fan love and industry appreciation made the event a memorable chapter in his professional journey.

For Veeir Chaudary, the biggest takeaway from the night was perhaps Chunky Panday’s encouraging message. “One day you’ll be a big name” was more than just a compliment—it became a powerful motivation to continue pursuing bigger dreams.

With his focus on films, web series and music, Veeir is now looking ahead to his upcoming projects. If the response at the award night is any indication, his journey is attracting increasing attention, both from audiences and within the entertainment fraternity.

An award, a room full of fans, an unforgettable interaction with Chunky Panday and words that Veeir will remember for years—the evening certainly turned into a night to cherish.

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Kamathipura at a Crossroads: Dhaval Pitale Documents a Neighbourhood Facing Extinction

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India is one of the most diverse countries in the world, home to countless religions, languages, cultures and communities. But when we look closely at our cities, we often find smaller neighbourhoods where these identities have lived together for generations.

One such neighbourhood exists in the heart of Mumbai — Kamathipura.

Once associated with the Kamathis who settled in the area, Kamathipura changed dramatically over the years and eventually became widely known as one of Mumbai’s oldest red-light districts. But the area has always been more than the identity attached to it.

It has been home to families, workers, migrants, traders, sex workers, transgender people and generations of residents who have built their lives within its narrow lanes.

Today, Kamathipura is once again standing at a turning point.

With redevelopment gradually changing the physical landscape of the neighbourhood, an important question remains: what happens to the people, memories and history connected to a place when the place itself begins to disappear?

Filmmaker Dhaval Pitale is attempting to document this transition through an independent documentary on Kamathipura — its past, its present and the uncertain future that lies ahead.

The documentary explores the complicated history of the area while looking at the influence of colonialism, capitalism, migration and urban redevelopment. It also raises difficult questions around trafficking, violence, crime and sex work, while trying to understand how these realities have changed over generations.

Rather than looking at Kamathipura only through the familiar image of a red-light district, the film focuses on the people who have lived there and the social world that has developed around them.

It also looks at the changing nature of sex work itself.

As Kamathipura changes, sex work has not necessarily disappeared. Instead, it has increasingly moved beyond the traditional boundaries of the neighbourhood, taking different forms across Mumbai and its surrounding regions.

This raises another question at the centre of the documentary: if the buildings disappear, does the stigma disappear too?

Dhaval is also closely associated with the Aadhishakti Sarvajanik Ganeshotsav Va Navratraotsav Mitra Mandal, a local mandal based in Kamathipura.

The festival brings together residents from different communities, including sex workers and transgender people, who participate alongside other local families and members of the neighbourhood.

For Dhaval, this is an important part of Kamathipura’s identity that rarely finds space in mainstream narratives about the area.

Behind the stories of crime, sex work and stigma is another Kamathipura — one built around community, faith, celebration, coexistence and everyday life.

The documentary attempts to capture both these realities without romanticising the neighbourhood or reducing it to its darker history.

One of the central concerns of the film is what will remain once redevelopment is complete.

Will the name Kamathipura continue to carry the same stigma?

Will the identity of the neighbourhood change completely?

Will the younger generation know what once existed there?

And perhaps most importantly, who will remember the lives and stories that never became part of official history?

Dhaval hopes the documentary can preserve some of those memories before they disappear.

The idea is not simply to make a film about a red-light district, but to create a visual record of a neighbourhood undergoing one of the biggest transformations in its history.

The documentary could eventually serve as a reference for future generations, researchers, sociologists and historians trying to understand Kamathipura beyond the way it has traditionally been portrayed.

Dhaval is also the founder of Aadhya Films, where he works with Associate Director Priyanshi Rathor on different film and creative projects.

For this documentary, the team is also experimenting with emerging AI tools and visual technology.

Artificial intelligence will be used selectively to help recreate certain historical periods and environments that can no longer be filmed today. Combined with research, archival material and real accounts, these visual reconstructions will attempt to give audiences a sense of how Kamathipura may have looked and lived during different periods of its history.

But at its heart, the film remains about people.

About what happens when development reaches a neighbourhood with a complicated past.

About whether removing old buildings can really remove the stigma attached to the people who once lived inside them.

And about whether redevelopment can create a new future without completely erasing what came before.

The documentary ultimately leaves audiences with one deliberate question:

What if Kamathipura’s story had gone differently?

What if, instead of simply disappearing under redevelopment, the neighbourhood had been given a new way of living while still preserving its communities, stories and history?

For Dhaval Pitale, this question is not about holding on to the past for the sake of nostalgia.

It is about asking what Mumbai loses when its neighbourhoods change beyond recognition — and what parts of their history may still be worth saving.

https://www.instagram.com/aadhya.films?stkn=a3pncHVyeTRidXJ5

 Ganadhisha Mumbaicha : https://www.instagram.com/ganadhishamumbaicha?stkn=dGg5cm00MTg1ZnYw

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