Prithviraj Sukumaran and Parvathy Thiruvothu’s Malayalam heist thriller ‘I, Nobody’ premieres on JioHotstar today.

The film is directed by Nissam Basheer and marks the latest streaming release for the two lead actors.

The story follows Rajeevan, an ordinary government clerk played by Prithviraj, whose life changes suddenly when he becomes entangled in a Rs 17-crore bank robbery.

The film will be available primarily in Malayalam, with audio or subtitle options in Tamil, Telugu, Kannada and Hindi for viewers on JioHotstar.

I, Nobody had its theatrical release on July 9, 2026, but had a modest run at the box office, collecting around Rs 15 crore worldwide.

Despite the muted theatrical numbers, reviews at the time praised the film as an engaging, edge-of-the-seat thriller, with Prithviraj’s performance and the film’s fight choreography singled out for particular praise.

Parvathy Thiruvothu plays a key role opposite Prithviraj, continuing a notable on-screen pairing between the two Malayalam cinema stars.

The film’s move to a digital premiere just over six weeks after its theatrical run reflects a common pattern for mid-sized regional releases seeking a wider audience through streaming after a limited theatrical window.

Nissam Basheer’s direction has been noted for pacing the heist elements of the story alongside the more personal stakes facing Rajeevan’s character throughout the film.

JioHotstar has increasingly become a landing spot for recently released Malayalam titles seeking wider distribution beyond their home state audience.

The story follows Rajeevan, an ordinary government clerk played by Prithviraj, whose life changes suddenly when he becomes entangled in a Rs 17-crore bank robbery.

The film will be available primarily in Malayalam, with audio or subtitle options in Tamil, Telugu, Kannada and Hindi for viewers on JioHotstar.

I, Nobody had its theatrical release on July 9, 2026, but had a modest run at the box office, collecting around Rs 15 crore worldwide.

Photo by Prithviraj Sukumaran, Wikimedia Commons, CC BY-SA 2.0

Television actress Shivangi Joshi has clarified that she is not participating in Bigg Boss 20, calling a viral video claiming her entry into the show completely fake.

Joshi posted a note on her Instagram Stories addressing the speculation, writing: “It has come to my attention that a video circulating on social media falsely claims to confirm my participation in Bigg Boss 20. I would like to clarify that I am NOT participating in Bigg Boss 20, and the video is completely fake.”

A video had gone viral claiming to be a promo for the reality show, showing a female contestant in an anarkali with curly hair whom fans speculated to be Shivangi Joshi.

Shivangi’s name had been widely discussed online in the days leading up to her clarification, with several fan posts claiming she was among the confirmed contestants for the new season.

Bigg Boss 20 is scheduled to premiere in the coming weeks, with Salman Khan returning as host for another season of the reality show.

The makers of Bigg Boss have not yet released a confirmed contestant list, leaving room for continued speculation and fan-driven rumours in the run-up to the premiere.

The makers of Bigg Boss have not yet released a confirmed contestant list, leaving room for continued speculation and fan-driven rumours in the run-up to the premiere.

Television actors clarifying or denying reality show rumours through social media statements has become a routine part of the pre-season buzz cycle for shows like Bigg Boss.

A video had gone viral claiming to be a promo for the reality show, showing a female contestant in an anarkali with curly hair whom fans speculated to be Shivangi Joshi.

Shivangi’s name had been widely discussed online in the days leading up to her clarification, with several fan posts claiming she was among the confirmed contestants for the new season.

Photo by Zalasem1, Wikimedia Commons, CC BY-SA 4.0

Bethlehem Kudumba Unit, the new Malayalam romantic comedy starring Nivin Pauly and Mamitha Baiju, has drawn praise from critics for its restrained performances and subtle storytelling.

Directed by Girish A.D. and produced by Bhavana Studios, the film follows Ashley, played by Mamitha Baiju, a college-bound young woman who forms an unlikely bond with her much older neighbour Justin, played by Nivin Pauly, after he recognises a band on her phone wallpaper.

The story, which explores themes of music, family dysfunction and emotional maturity, navigates the couple’s romance despite their significant age gap.

In his review, critic Vishal Menon praised the director’s approach of showing rather than telling, pointing to a scene involving Ashley’s old house as an example of communicating character depth without exposition.

Both lead performances were singled out for praise, with Mamitha Baiju showing more restraint than in previous roles and Nivin Pauly delivering what the review called a minimal performance that amplifies the film’s emotional impact.

The film was officially announced in July 2025, with principal photography beginning in January 2026 in Kochi; some reviewers noted it meanders slightly toward the end, though the overall reception has been largely positive.

The technical crew includes cinematographer Ajmal Sabu, editor Akash Joseph Varghese, and composer Vishnu Vijay, whose work on the soundtrack has also drawn attention alongside the film’s central performances.

Girish A.D. has built a reputation in Malayalam cinema for character-driven, gently paced storytelling in his earlier films, a style that critics say carries through into this latest release.

At just over two and a half hours long, the film has been positioned as a slower, more observational entry in the romantic comedy genre compared to more plot-heavy contemporaries.

The film is produced by Bhavana Studios, which has backed a number of recent Malayalam releases as the industry continues to see strong theatrical turnout for character-driven dramas.

Reviewers have generally agreed that the film’s success rests heavily on the chemistry between its two leads, with the age-gap premise handled with more sensitivity than some earlier attempts at similar storylines in Indian cinema.

Photo by Bollywood Hungama, Wikimedia Commons, CC BY 3.0